Saturday, November 19, 2011


Music to appear in the Norwegian National Ballet

The Norwegian National Ballet has requested a song I wrote with Jason Iselin (as part of george&caplin) to accompany a dance for the production of “the Ice Palace” in Oslo! (based on Tarjei Vesaas’ novel “Isslottet”) We are overwhelmed. This is truly beyond anything Jason and I had in mind when we began recording years ago.


Monday, October 3, 2011

a fall mix just for you...
While I'm away working on my new album, I thought I would pass on some of my favorite old melancholy tunes that are best accompanied by fall, a brown sweater, and tea. 
Featuring:: 
Lee Hazlewood, Scott Walker, Dennis Wilson, Piero, Kourosh Yaghamaei, Ennio Morricone, Fancis Lai, Catherine Spaak, & more.  
DOWNLOAD HERE...
:::Special thanks to Mr. Eric Lee and family for turning me on to a great deal of these tracks:::

Wednesday, September 28, 2011

Recent reads that still have me thinking...


Monday, September 26, 2011

Great article on the complexity of Roberto Bolano's legacy, by another author I also enjoy.

BolaƱo Inc.

by Horacio Castellanos Moya November 2009

Thursday, September 22, 2011

[And the tiny pioneer found respite in a manger.]  
Saved this jumping spider from the tides of my sink this morning.  I left him for dead on my window sill but was pleased to find him a half hour later alive, away in a manger. 
(look close for his beady little eyes.)

Tuesday, September 20, 2011

Always nice when my outdoor friends join me for the winter.

Tuesday, September 13, 2011


Saguaro dusted in sunlight
Saint Jude strained my neck, so I walked into the Sonoran sprawl
I found myself surrounded by halos glistening amid the chollas
We were all alone together, I in their adobe coat.

Dusk in the cholla garden seeped through my pores to my lungs, eliminating the need for breath
Joshua trees swatted awkwardly at schools of sunbeams
This is a land where there is time enough
This is a land where there is room enough
God delicately planted a saguaro mescal mustache on my forehead.

Sunday, September 11, 2011

William Basinki's Disintegration Loops in remembrance of 9/11.

Ten year anniversary concert featuring Basinki....
"Remembering September 11" concert by the Wordless Music Orchestra conducted by Ryan McAdams, presented at The Temple of Dendur in The Metropolitan Museum of Art in Manhattan, NY on September 11, 2011. 
http://www.npr.org/blogs/deceptivecadence/2011/09/07/140265002/remembering-september-11-a-live-concert-webcast-from-the-temple-of-dendur

Friday, August 12, 2011

Inspiration, like an exploding star, is vast, expansive, and always hurling outward; but like all mass the shear gravity causes even the tiniest of particles of matter to re-connect.  I'm thankful for these small moments of gravity that my creative career has afforded me.  
Thanks Maura for re-connecting.

:::THE STORY:::
One reason I like art...
Last summer I went to Salvation Mountain for the first time with my wife Amy.  Just us and the lonesome mountain. But soon we met Maura, who was also there for the first time. We soon realized we all shared the common bond of being teachers. To our great fortune we were blessed to find Leonard hanging out before a swim in an irrigation ditch and he stayed to give us a tour. I left very inspired.
{Cut to a year later.}
Maura read a review of the Jjango album on YouCrazyDreamers and from the cover realized she was there that day. She contacted me and shared her excitement for the experience and the album. She too was inspired by the moment and did some artwork. (see Maura's work here) (Above is a photo from Maura I accidently snuck into.) Inspiration like an exploding star feels vast and expansive, hurling outward, but like all masses the shear gravity causes even the tiniest of particles to re-connect. I'm thankful for these small moments of gravity my creative career has afforded me.


Tuesday, August 9, 2011

One of my favorite duels.  From REQUISCANT.

Saturday, August 6, 2011

Thanks for the photo, mysterious mercedes man in michigan.

Wednesday, August 3, 2011

 you crazy dreamers [uk] REVIEW of the Poquito Pioneer...


"...if i had to choose my album of the year now, it would be this one because it brings me joy on so many levels. Musically it’s outstanding, it has immense atmosphere and each listen brings me new pleasures and it continually keeps me guessing. It’s such a forward thinking album with so many levels it’s very easy to go overboard and just make what is essentially noise but they, (he?) seems to know when enough is enough and has created something so astonishing it’s actually impossible to describe it in words, it needs to be heard for it to make any sense. It’s something rather beautiful."


"The psychedelic nature of the album has your imagination running wild because the album slowly feeds you nuggets of sound, a distant voice or an echo but for me it’s the overwhelming beauty that makes this album so great, so, so beautiful. Sometimes just the horns is enough to be completely overwhelmed but when you add snippets of crackle and hypnotic sounds  to such devastating effect it takes you places that most music doesn’t."
by Geordie 8/3/11


...wow, know I'm not a cowboy because I'm blushing, thanks!
to read more, go here...
http://youcrazydreamers.com/2011/08/03/jjango-cleefworth-morriconez-the-poquito-pioneer/

Tuesday, August 2, 2011

Extremely honored to have a few Jjango Cleefworth Morriconez tracks appear 
on Stadiums and Shrine.
check it out...

Sunday, July 24, 2011

I shall be loading tons of floppy discs and bending cassette tapes with the talents of Joseph Sampson, Frieda Stalheim, and Jason Iselin; all forming together as frontier man Wentworth Kersey. Come watch. 9pm @ DELITE (south broadway, Denver)

Thursday, July 14, 2011

REVERB/The DENVER POST says "Steal These" EPs...

"J. Wentworth. S. is a musical outlaw hero. Like the rugged loners who populate the spaghetti westerns from which he draws much of his inspiration, the Denver experimental musician blazes his own trails, breaks a few hearts and pulls a few burrs out of his boots while crafting his sun-drenched psychedelic desert laments." 
Released on Denver’s own Plastic Sound Supply Records, “Highway Driveway” serves as a peaceful-yet-exhilarating soundtrack to a man’s escape from the city and into the Sonoran desert. It’s a moody, reflective collection that juxtaposes organic instrumentation with analog electronic blips. Its dusty tin heart beats irregularly, like the twitching, wiggling gauges on the dashboard of a ’70s station wagon as it labors across America’s sun-burnt western expanses.
"The Poquito Pioneer,” the looser companion cassette released by Wil-Ru Records under the pseudonym JJango Cleefworth Morriconez (spaghetti western nerds should be able to unpack that one fairly easily), charts the same course, but from the perspective of a Salton Sea native returning to his homeland. Like an old cowboy who’s spent too much time in the city, its hat is ill-fitting, its boots too well-worn and its approach to the once-familiar desert landscape wary and rusty. Where “Highway Driveway” is the American euphoria and freedom of driving, “The Poquito Pioneer” is the heat stroke and fever dreams that follow."

by Eryc Eyl july 14 2011



Friday, July 8, 2011

[^]LAND magazine's praise for Cleefworth/Wentworth...


"Jjango Cleefworth Morriconez is the latest moniker of Jeffrey Wentworth Stevens, following on his releases as George&Caplin, Wentworth Kersey, and Runway Estates, and adding new material to his construction of a new western aesthetic that speaks to the sounds and themes aroused by its historical landscape. The new moniker is christened by The Poquito Pioneer, on Wil-Ru Records July 13th, and arrives alongside his solo debut Highway Driveway, on Plastic Sound Supply. Both albums are high concept pieces; psychedelia with a country tinged croon and ringing drones that reference Spanish horns, exploring the artifacts and decline of the traditional “west”. Set amidst “teetering border towns” and – in The Poquito Pioneer - ultimately leading to the narrator’s childhood home in the decrepit skeleton towns near the over-salinated Salton Sea, it’s a tremendously compelling song cycle and Stevens’ evolving vision."

Posted by DWIGHT of [^]LAND.
http://www.comeintoland.com/2011/07/jjango-cleefworth-morriconez-companeros-dos/

Saturday, July 2, 2011

SPECIAL EDITIONS aVaiLAbLE fOR PurChASe...NOW!!!

JEFFREY WENTWORTH STEVENS' "highway driveway"
(Limited edition hand designed CD in sewn map casing.) (50 copies only)

JJANGO CLEEFWORTH MORRICONEZ' "the poquito pioneer"
(Limited edition cassette in library listening center case) (50 copies only)
CLICK HERE TO BUY

THANKS FOR YOUR SUPPORT!

Tuesday, June 28, 2011

WESTWORD MAGAZINE previews/reviews the..
art/music of "highway driveway" and "the poquito pioneer"

"While we don't generally talk about cover art reveals or preorder deals, this one is simply too good to pass up."
"For its part, Highway Drive is a meandering electronic record inhabiting the space somewhere between a psychedelic freak-out in the desert and an inspiring vision quest lead by a generous but ungrateful wolf. It's a solid cohesive album that bangs along to a slightly different drum than one might expect from Stevens.
The Poquito Pioneer, in contrast, is rooted more in what you might expect from Wentworth Kersey. There's more going on here lyrically, and guitars are a bit more prevalent, but it's still not a traditional rock record by any means. "Me and the Lonesome Road," is probably one of the most upbeat tracks on the record, with a whistling track that holds the whole thing together it feels like something out of an Ennio Morricone soundtrack."
"Don't take our word for it though -- listen to both EPs right now."




Monday, June 27, 2011


THE ONION's AVclub previews/reviews of "Highway Driveway" and "The Poquito Pioneer".

"Quasi-ambient electronica and dusty, fly-blown Western Americana may not seem like natural bedfellows, but in the hands of Jeffrey Wentworth Stevens, they mix like gin and tonic—two strong, distinctive flavors that somehow combine into something greater, and far more delectable, than the sum of its parts. Like Ennio Morricone jamming with Brian Eno as the house band of a rundown cantina in the Nevada desert, Stevens’ work evokes the beauty and loneliness of wide-open skies in fuzzy swathes of distorted sound and gorgeous keening timbres."
"In effect, they work as two sides of a single album—and a quite good one, at that."


By Cory Casciato June 27, 2011
http://www.avclub.com/denver/articles/preview-2-new-eps-from-jeffrey-wentworth-stevens,58195/

Sunday, June 26, 2011

Like you spacey psych music served in an 1800's setting?  
Then I might suggest checking out...
Wentworth Kersey @ the beautiful Four Mile Historic Park this Wednesday June 29th.

Saturday, June 11, 2011

Limited Edition (50 copies only) ..."TOWN MOUSE" CD.
Individually Hand Designed Compact Disc in Sewn Vintage Map Casing. 
(brought to you by PlasticSoundSupply Records and Amy Apple Crafts)

Wednesday, June 1, 2011

ALBUM ART via the magnificent Mr. Eric Lee
Wil-Ru Records limited edition cassette library listening center box cover
The Poquito Pioneer digital cover art
Highway Driveway digital cover art

Tuesday, May 31, 2011


Top ten Favorite Spaghetti Westerns as of today.

1.The Good, The Bad, and The Ugly
2. Once Upon A Time in the West
3. Fistful of Dollars
3.5 Yojimbo (honorary mention)(the movie Fistful of Dollars is based on.)
4. The Mercenary
5.The Great Silence
6. Death Rides a Horse
7. For a Few More Dollars
8. Requiescant
9. Django
10. Face to Face (&) The Big Gundown (&) 10,000 Blood Money (three way tie
)

Monday, May 16, 2011

Westword previews the new albums.  Read more here...

Saturday, May 14, 2011

Getting close.  Special edition for Plastic Sound Supply in production.

Wednesday, April 13, 2011

Supplies rolling in to assemble special edition releases of solo work. Next step learn sewing.

Thursday, April 7, 2011

COMING THIS SUMMER! 
Jeffrey Wentworth Stevens VS. Jjango Cleefworth Morriconez
(Town Mouse, Desert Mouse)
TWO ALBUMS. 
Highway Driveway, the story of a townman’s roadtrip into the Sonoran desert to lose himself, and The Poquito Pioneer, the story of a desert man’s journey to a lost tourist trap of the Salton Sea to remember himself.
LOOK FOR THESE RELEASES 
courtesy of Plastic Sound Supply records, Wil-Ru records, and LAND magazine.

links...

Saturday, April 2, 2011


Pointy Mexican Boots admired by a Bootgazing Vaquero.
This trend really intriques me.

Enjoy via VBS.

Wednesday, March 30, 2011



PLASTIC SOUND SUPPLY RECORDS best label of DENVER.
So honored that my music has found a home on this label.  A heart felt thanks to Justin and his whole crew who have made music fun and interesting for again for me.

Tuesday, March 29, 2011

The studio ghost of Jjango or Jeffrey?  Good day with Colin Bricker at the helm.  
Of course, my studio ghost wanted to put auto tune on everything.

Friday, March 18, 2011

Saturday, March 12, 2011


Teamed up today w/Sandusky for some vocals on a track for the HannaRanch SNDTRK. 
Louvin Brothers style worked marvelously.  
Nice to be in the studio with the "Thom Yorke Cowboy" again.  

Tuesday, March 8, 2011

Love these guys.  Need them to help me choreograph some moves to my new tunes.  Go long boots.

Monday, March 7, 2011

A photo from times past (Portland, OR).  Thought I would post this one because Jason Iselin (of G&C fame) has been a huge factor in helping me pull of my first solo recording.  Yesterday, his guitar was the glue I needed.  It felt like old times or maybe I should say it felt like all times.  
Thanks J.  Album/s getting close!

Saturday, February 26, 2011


Wrote a love song to immigration.  We’ll see how it turns out.  Cutting and pasting some odd source material.

Tuesday, January 18, 2011

I'm pleased to announce the birth of my first child, 
Sandoval Wentworth Stevens.  
I'm excited to share "Dad's" music with him and thankful that Sandoval will only add to my process.  I'm sure he will add new levels of patience, sleep deprived moments of song writing delerium, and much more heart to the new project.  Just need to find a better babysitter than this one before I jump back in full speed.  In other good news, the album is already ten songs deep, still more to write. 

Tuesday, January 11, 2011

Grab the Plastic Sound Supply Label Sampler for free.  I'm honored to have a few of my projects represented.
CLICK the LINK below...
http://soundcloud.com/plasticsoundsupply/sets/plastic-sound-supply-label-sampler/

Sunday, January 9, 2011


Up at 6am this morning, really trying to branch out in my song writing. Might have stumbled upon the most solid pop song I've ever written. Sounds like The Rolling Stones got in a fight with Yeezy. It scares me.  

(or maybe it's the fact I'm exactly one month from becoming a dad.)

Saturday, January 8, 2011

Jason Iselin swung by the studio today to help the jjango cleefworth morriconez cause and entertain the "stuffed" crowd.

Tuesday, January 4, 2011

LISTS of lists
Track Lists that might become/Track Lists that inspire me

Working is hard when you have a Donkey Kong scratch card there to distract you. 

The lists of lists have begun.

Wednesday, December 29, 2010

Steady Studio work on Solo Project/Album.  
jjango cleefworth morriconez breathes floppy discs.
Here's to a hopeful/flavorable 2011 release.

Sunday, May 9, 2010


Unlike Cinderella





I ended up in Nogales staring at a ceramic Gila monster sitting outside of the La Cinderella Fashion Mart.  Seconds from the border, it administered its timeless gaze.  Its pistol black glaze swallowed the sun as it worked as a doorstop for the metal framed glass door.  I sat on the patio of a run-down McDonalds on Terrace and Crawford Avenue as the Mckids supplied a spanglish soundtrack in the background. 

A line of ninos, vaqueros, potential guias, campesinos, lost tourists, and family units adorned the sidewalks.  A sidewalk that acted like a yellow brick road between Nogales, Mexico and Nogales, United States;  two Siamese twins separated at birth.  The twin that was destined to die had not been determined yet, but the wounds were still fresh from 1920: a small amount of time in the grand scope of territorial land battles. 

My gaze returned to the ceramic Gila monster.  The sidewalk littered with French fries, sun baked wrappers, and urban desert flowers (plastic bags) seemed to tease the immobile grasp of the immortal Gila monster; a contemporary bread crumb trail that led absolutely nowhere against the veneer of border barbwire.  The statue pondered the parade of dust filled sneakers and boots going in and out of the bustling US/Mexican border and the hypothetical line between Fashionistas and Tackiness. 

The shop itself was filled with mannequins with swelling backsides, maquilladora renditions of the latest trends, and splashy colors that made a statement against the drone of the omnipotent sun.  Mostly women strolled in and out of the Fashion Mart.  The angle from which I observed created bizarre refractions amid the aged glass pane door.  The odd abrasions of the glass seemed to mirror the varicose veins of the customers who glided in, or maybe it was just the HD reflections created by an unfiltered desert sun that fooled me.

But the scene continued outside amid the wreckage of the sidewalk.  Boot heels mashed away at the feast inches away from the door stop monster.  Sidewalk mash potatoes never looked better and I couldn’t help but imagine the torment that beast felt.  Did the Gila’s eyes water at the possibilities or did his tongue tickle the meal that lay inches away only teasing his desires?  Did it matter, against this backdrop?   Hell, this setting was ripe with the dreams and the hopes of millions that lay within inches of fulfillment.  But like the Gila, a stone’s throw or roll becomes miles when fortifications are the norm.  

The torment had just begun.   A cigarette butt found its way to extinguishment via the Gila monster’s back; barely disfiguring his already fortress like exterior but further burying his hidden demeanor.  An occasional boot scuffed his snout; making his lizard tongue hesitant.  A random rock like a meteorite cracked at his ribs.  Was that a wince I had perceived?  And even a group of teens spitting at each other on their way down the sidewalk, sustained the abuse.  Their swirling adolescent aqua battle ended up in front of the Gila eventually raining down the snout of my stoic friend.  The abuse was constant.

At one point, one of the teens bent down to feign the stealing of the iconic doorstop.  Trying to pick it up was tougher than first imagined:   a) because a 3 foot ceramic Gila is heavier than it looks, b) a small chain was secretly hidden amid his hind quarters, and c) hurt is heavy too.  Not more than 7 seconds later, a pear shaped woman came barging from the shadows of the store front waving a wire hanger in hand.  The teens scrambled away around the corner of the block snickering, while the woman swung the hanger in an odd fashion as if trying to receive better reception from her analog tv.  She stopped almost immediately and began fanning her face with both her hands.   She seemed to hover back into the store.   

I made a wish to this fairy godmother.  I wanted the scene to come alive; for the Gila monster to take his predestined role in the daily routines of Nogales.  To shatter his carbonized prison and claim what was his.   How ironic that he was placed outside a fairy tale themed store or how lame it was for me to quickly adopt the most obvious trend in thinking outside a store named La Cinderella.  Nonetheless, a wish that would bring this prince alive so he could dance at the ball.  Or at least get a bite to eat for Pete’s sake.  I wondered if at midnight he would be transformed back into a doorstop.  Or possibly the opposite, maybe at night he became a doorman.

It was a little past noon when a boy stopped to examine the life-like Gila.  His miniature stature and empathetic stance seemed to understand the fragility of the monster.  He stooped over and his plastic bag diaper bloomed from his thrift store toddler pants.  He was locked in a stare with its lead paint eyes.  Then slowly he reached for anything at arm’s length and managed to grab a stale grey French Fry and timidly placed it next to the Gila’s mouth.  They both froze in this hopeful gesture for what seemed like a minute.  Then falsehood of the exchange seemed to come to light as my mind, like the boy’s, creshendoed from gentle offerings to begging screams, “Go on boy, take it.  Come on now, don’t be scared.  I won’t hurt you.  PLEASE, PLEASE take it! PLEASE!”  


The boy’s heart seemed to break, the Gila’s couldn’t, and mine became still residing between both.  I sympathized while waiting, but with whom in this odd embrace:  the poor child feeding the non-living or the non-living unable to admire this small boy’s gesture?  Did this small boy share my wish or was fate merely playing with my ironic fairy tale dreams?

I left extremely disappointed.  A tragedy can be admired, but in between the “if onlys” of the non-living and the impending “onlys” of the living is our senselessness and the tension presented in the dawn of a new day.

I drove home. Along the roadside trill was an accident; a prairie dog smashed into the grains of the interstate concrete just to the side of the road.  The merging highway veering to the right gave me a singular view as I swooped on by.  The death was fresh. The body was mutilated and tiny blood pools seemed to tremble as my car careened by. Both passings had occurred in no more than a blink of an eye but my passing was merely objective.   During my fly by I caught site of another prairie dog beginning to circle the deceased species member. He, or she, seemed to sniff at the fresh corpse trying to come to terms with the mystery through the olfactory; a practice only bloodhounds could relate to.  I tried to imagine the pain, it wasn’t hard.  


When I was 10 I had started the tradition of saying travel sized prayers for victims of travel sized tragedies.  These deliveries of last rites conveyed at 65 mph had continued into adulthood for me because dealing with death at such a rapid pace demanded more from a cognizant creature like man.  It demanded stopping while going.  Death always caught us all off guard but for one’s death to be dispensed, realized, and mourned in less time than it took to read a roadside billboard and forget it, was unnatural.  To leave this living thing behind without a thought like another roadside marker was a sin.

I said my prayer.  My clasped hands floating above the steering wheel in reverence led me upward while the outer edge of my palms steered me onward. 

Dear lord, please take this prairie dog into your realm, Let him, or her,  find respite in a sanctuary of prairie amid your peaceful domain, Let him travel with you until the end of time.  Be with all notions of creatures.  Amen.   

I unfolded my hands and grabbed the steering wheel in enough time to adjust my heading in course with the giant sway of the road.

Was the prairie dog confused?  Did the prairie dog understand the other prairie dog’s inanimate state?  Or was this death a curious doorstop? A prairie dog leaning down to make a senseless gesture to the non-living. Did the prairie dog hurt like I did as I saw him timidly approaching the horrifying scene at hand; a scene that would confuse and hurt all of us?  Or was it waiting for an exchange that would never come?

My head turned to align with the median, my shoulders swayed with the road, and my heart leaned into the moment.  He, she, it, was gone and I welled up.

The next morning our sun’s light washed the earth with a new day.  The light simultaneously became tangled amid the dull matted fur of the rotting prairie dog corpse and reflected off the black pearl sheen of the Gila monster’s eyes.